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Both Vincent and Max are "collateral" characters in each other's lives, yet in the timeframe of a few hours, each wields tremendous influence over the other. Long before Crash made it a gimmick, Collateral, on a much smaller scale, examines the impact of coincidence, and how strangers can float into our universe and change our ordered existence – for better or worse – in a nanosecond. cityscape and well-choreographed thrills (especially the finale aboard a mass-transit train), Collateral often becomes a heady mix that intoxicates the senses. Combined with glossy and gorgeous aerial shots of the nocturnal L.A. Mann and screenwriter Stuart Beattie employ the slow-burn approach, building tension a baby step at a time, and along the way allow us to recognize and catalog critical personality traits and tics. Though its story is simple and straightforward, Collateral resonates because its subtleties, especially when absorbed in repeat viewings, carry as much weight as its exciting action scenes and instances of shocking violence. The atmospheric, often hypnotic thriller epitomizes the director's slick, elegant style that deftly weaves visual flash into a gallery of substantive character portraits.
Punctuated by dazzling action sequences and laced with quiet introspection, Collateral stands as one of Michael Mann's best films.
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Yet despite Max's continual efforts to wriggle free from Vincent's death grip, the two strangers become intimately entwined, sharing secrets and philosophies throughout the course of the long, exhausting evening, until a final, desperate showdown pits them against each other.
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Max (Jamie Foxx), the innocent driver Vincent hijacks, chariots him to various locations and unwillingly bears witness to the barbaric killing spree. With the grace of a cat and cunning of a stealth bomber, he slips in, takes care of business, and moves on to the next target.
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That's the agenda for Vincent (Tom Cruise), a professional assassin who crisscrosses the streets of Los Angeles in a hired cab, stopping only to methodically and ruthlessly bump off a lineup of predetermined victims about whom he knows little and cares less.